Come Ride With Me

On our Shine Expansive conference call today, I told Jessica Chilton (the creator and facilitator) that in my bipolar disorder, depression forgets its role as a part and takes completely over, asserting that it is me. She suggested the metaphor of a car, in which depression is no longer allowed to drive. She also suggested that I write a poem about it. Here’s the poem:

Come Ride with Me

All parts of me are good
But some don’t know their place
Dance with me depression
You teach me some steps that are graceful
But I will lead, my dear
Come ride with me in my shiny new Benz
But you no longer get to drive
Settle in, let the wind blow in your hair
Whisper to me of where there is pain
In me and in the world
But whisper
You no longer get to pin me down
And snarl those menacing words into my face
Tell me what I need from you
Show me where there is risk
Keep my feet on the ground
Teach me of vulnerability
It has value when I do not blame myself for it
When I do not say that I deserve ill
Caress me with your long fingers
Coo to me of how I’ve grown
How suffering has brought me here
Where I know so much
Of what hurts my brothers and sisters
But enough is enough
From now I learn mostly from joy and intimacy and love
Pain will come, but only when I need it
Only when it keeps me in balance
Not as punishment
Which I have sometimes thought I deserved
But no longer

Come ride with me, depression
But I will drive
Come speak to me
But only speak to me of love.

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Come Speak To Me of Love

On our Shine Expansive conference call today, I told Jessica Chilton (the creator and facilitator) that in my bipolar disorder, depression forgets its role as a part and takes completely over, asserting that it is me. She suggested the metaphor of a car, in which depression is no longer allowed to drive. She also suggested that I write a poem about it. Here’s the poem:

Come Speak To Me of Love  (Majo, 10/7/15)

All parts of me are good
But some don’t know their place
Dance with me depression
You teach me some steps that are graceful
But I will lead, my dear
Come ride with me in my shiny new Benz
But you no longer get to drive
Settle in, let the wind blow in your hair
Whisper to me of where there is pain
In me and in the world
But whisper
You no longer get to pin me down

depression
And snarl those menacing words into my face
Tell me what I need from you
Show me where there is risk
Keep my feet on the ground
Teach me of vulnerability
It has value when I do not blame myself for it
When I do not say that I deserve ill
Caress me with your long fingers
Coo to me of how I’ve grown
How suffering has brought me here
Where I know so much
Of what hurts my brothers and sisters
But enough is enough
From now I learn mostly from joy and intimacy and love
Pain will come, but only when I need it
Only when it keeps me in balance
Not as punishment
Which I have sometimes thought I deserved
But no longer

Come ride with me, depression
But I will drive
Come speak to me
But only speak to me of love.

Shit

Last Sunday at Jubilee, where I go to church, I introduced a poem in this way:

This morning around 8:30, I read a post Howard put on the Jubilee Facebook page about today’s service, where he said that I was going to offer a poem.  Shit….I thought sure I cancelled on that poem.  I went through my recent correspondence with Howard and found no reference to cancelling.  “Well I’m just gonna call him and cancel anyway – I’ve got no poem ready.”  But all that started to feel really lousy, so I pulled out my poetry book and came up with a poem that is serviceable – not great but good enough, not exactly on point for the theme of the service but close enough.  And if you spin the theme to embracing our imperfections, then it’s right on the money..  So here it is, full of imperfections – it’s called “Shit”.


SHIT     (Majo, 11/3/05) 

This morning, shit, my bus was late
It made me late for work
My job today might be at stake
This world did not regard my hurt

I do not only think today
That things are going very wrong
I know it in my bones
Or, where do I know it, actually?
I know it in my mind – that biggest know-it-all
My mind does not only think and think
Mr. Descartes, sir
It thinks it really knows

Talk about a job at risk!
If my mind is not really right
Is not sure, does not know
And know for sure it knows
It fears for life its very self

What if my old mind, day-in, day-out
Is making all its knowing up?
Is maybe seeing nothing as it is?
But perhaps is just a movie screen
Projecting all its weary plots
As if they all were real?
What if I know nothing, not at all?
Save just that this moment here, of time and space
Is tied to every other one
As this breath to my next and last

Today I think that things are going wrong
Because I yesterday saw them as right
The hubris of my mind, my guide
Does bounce me like a silly ball
My thirst to know, to judge the plays
Is the only fatal flaw

Or what if even that is not?
What if this dramatic life I live
With me as hero, villain too
But mostly victim of the script
Is scripted by a bigger brain?
By Life, which sees and is it all
Me, my fellow actors, props and stage

I will insist to tell my tale
Full of fury, idiot that I am
As long as Life gives me that role.
This moment’s glimpse of waking up
Is just as it was meant to be
But no better or no worse
Than the next moment’s fitful sleep

Nothing here is good or bad
Including my persistent dreams
They are all, like this poem, too
With its freedom, flaws and doubts
Just part of the show
Like you and me – and him and her
At least I think it’s so – you know?

 

For Cheryl

Here’s the poem I offered – and briefly messed up – at Barry Barton’s dance performance.

For Cheryl

Your father took the poison pill
Of hate for self
He swallowed it and went away
Was struck dumb and then could not
Speak on your behalf or his
He did not wield his pen of truth for you
When they served to you the same sick drug
Toxic with their shame and pain
They saw your lovely innocence
And tried to claim it for themselves
They carved in it their names
“If I scar it, then it’s mine
Let me leave a handprint on your face
Or a mournful dream of your small hand
Placed on me against your will”

But the twisted trying there
To wrest from you your life, your love
By those who loved so wrong, so wrong
Could not quench your fire, your self
The would-be spirit breakers did not know
What spirit truly is – nor saw your soul
Or they would have touched you not those ways
For fear your angels would have struck them down.
The gold of that sweet soul was not destroyed
Just melted and formed new again
Nothing burned away but dross
You wanted gone so long

And when you felt your most alone
And when you were the most at risk
Of saying yes to that last dose
And lying in the fitful sleep
Of those who dream when they were real

And when you felt your most alone

And when you felt your most alone

Your truly faithful dad – long one with you
In the bonds of suffering and fierce love
Somehow coughed up his toxic wad
Smiled his warm and human smile of old
And said to you, his precious child
“Don’t swallow, darling girl of mine
You must not follow me
Into this silent truthless place
I need your words so bad
They are my legacy
Perhaps tomorrow I will find my own, but now
Rage at what they’d have you eat
You are my little queen
All the forebears of your mother’s and of mine
Salute you as you spit this back”

And so with raging, potent, loving words
You gather to you us
All of us who hold our own
Toxic dose of pain
Carried still in pouch of silk
“When all else fails eat me
I will kill you fast or slow
But I am all you really know”

You say to us with loud ferocious tones
“No-no-no-no-no-no!
Give me those precious pouches now
This whole sad pharmacy of fear and lies
Place all these pills together here
On this basement floor within
Flush them with our healing tears
And we who have been sick but have not died
Shall come away the stronger still
And make a pact to grasp those pills
Wherever they be found
And give that purge to all the lost
And bring the de-pilled people home
Into our sacred tribe
And love ourselves and our poems
And each other – and the children we create
And our parents too, who need it most

“Because I say so
And I am Cheryl
Triumphant and alive
And innocent and good.”

How does it feel?

To have crashed and burned?
To have lost it halfway through performing my poem?
To have completely blanked out on what came next and spent five minutes – OK, maybe 30 seconds – trying to get it back?
To have humiliated myself in front of friends and associates?

“How do you feel?”  The question was asked me in a very solicitous way by a woman I didn’t know, in a tone that suggested to me that she expected me to feel crappy.

The answer took a while to get clear for me, then came through loud and clear….”It feels thrillingly human.” It feels like a relief.  It’s something that I knew had to happen sometime.  I have been performing poems at Jubilee four times a year for ten years and I’ve never had a poem not hit a home run.  I’ve had little ripples – times when babies cried and it threw me off my game and I would lose a line.  But nobody would ever know.  I always rallied and took it home.

This time I did rally also and finished strong.  And I did once again have people say that it worked for them – and that my stuck place, which in this case was totally obvious to everyone, did not take away from the impact of the poem, that the poem meant a lot to them.  One person said that it was her favorite part of the whole show.

So, thrillingly human – someone who can make mistakes.  There’s no safer place for me than Jubilee to make mistakes.  This poem opened the show for a dance performance – a very sweet movement and story-telling show filled with amateur dancers.

My poem opened for a dance performance on the topic of legacy - and my poem sprang from a friend's legacy of being abused as a child..  The choreographer and dancers, familiar with my track record as a killer poet and performer, expected me to open the show with a bang.  Was it a terrible thing that I fell apart delivering my poem?

My poem opened for a dance performance on the topic of legacy – and my poem sprang from a friend’s legacy of being abused as a child.. The choreographer and dancers, familiar with my track record as a killer poet and performer, expected me to open the show with a bang. Was it a terrible thing that I fell apart delivering my poem?

What if the worst had happened?  What would have been the worst?  The worst would have been for me to not recoup – for me just not be able to get it together, and to slink off the stage in shame.  That would be the worst.  Maybe not the worst though – because even that I could have recovered from.  Tonight I feel OK with that.  The worst, maybe, would be if that was not OK with me – if my infraction tonight stirred my self-hate – that would be the worst.  But even that wouldn’t have been so awful, because it’s human, because I go in and out of it all the time, because I’ve developed more skill in recuperating from self-hate and I bounce back from it.

In truth, what happened was not so awful.  In truth, it provided the audience with a wonderful experience – a chance to reach out to a performer, to be pulling for me.  Is it not possible that them opening their hearts to me, right at the beginning of the program, gave them a chance to be an even better audience for the rest of the show, to really open themselves to the dancers and the storytelling about their lives and their innocent, heart-felt,amateur dancing? I think that almost certainly this was true..

So the worst happened and it was OK.  No, the worst didn’t happen because I was OK with stuff that I surprised myself by accepting.  I fell apart in a way that I would have told you in advance was terrible and it was not.  In fact, it was perfect.

A missed opportunity

Bertha at Charter Communications – the cable company – missed a chance today to give me a good feeling about their company.  I was returning Monty’s computer router.  Whe she asked why I was returning it, I said that he had died.  That was the moment where she could have reached out for some genuine human contact – just a sincere “I’m sorry.”  I like to think that I do that consistently, even if someone is referring to their loved one passing a long time ago.  It pretty much always seems to create that human touch. But Bertha stayed buried in her computer screen, typing away.

It could have been a customer service slam dunk - anything like a human response has me leaving their office feeling better about the company.

It could have been a customer service slam dunk – anything like a human response has me leaving their office feeling better about the company.

I have heard a lot of criticisms of Charter.  This was a chance for Bertha, in this one instance, to soften that impression. Now why did Bertha not respond with human touch, in a situation where that would be so natural and appropriate – and where there was no apparent time pressure (no one behind me)?

  • She may actually be under some time pressure – lots of these computers can time a call – or, I’m sure, a face-to-face encounter.  I had a job as a call center operator where my supervisor consistently said, “You’re great with the customers – tops – but you’ve got to speed up your calls.”
  • She may have recently been told by a supervisor that she’s too chatty with customers, that she should keep it more to business.  This also happened to me on another job.
  • She may be having a migraine that is making it hard for her to even stand up.
  • She may have lost a loved one lately – or is on the verge of losing one – and my mention of a deceased loved one really triggered her.

I could go on and on – there are so many reasons that a customer server could be unresponsive to us.  And so many ways this could be helped.  It’s a truism that customer support people tend to treat customers as they themselves are treated. Give them respect and compassion and they tend to give it to their customers.  That’s not the whole story – there are some bad apples out there – but it’s a good place to start.  Helping your managers and supervisors treat others with more respect and compassion has got to be a win all around.

Life…and more life

The husband of one of my coworkers (let’s call her Sally) died a couple of weeks ago.  It was not exactly sudden, but greatly unexpected.  He just developed one medical complication after another for about three weeks, until finally the doctors told them he had a week to live.

Sally is much beloved in our department and throughout the store. One person used the term “angelic” to describe her.  It’s a word I would be slow to use to describe a mortal, but she is so consistently sweet and warm and positive that it really kind of fits.

I was greatly honored when she asked me if I had a poem about death that I could offer at her husband’s memorial – and told her that in fact I do have one.  I felt good about going to the memorial service last night.  There were several other workers from our store, a couple previous workers who have moved to jobs at another grocery store, and several customers who have over the years gotten fond of Sally.  These are the kinds of situations that poke through the distance that work roles may set up between us, between us coworkers and between staff and customer.  Mixing together in ways like this makes the relationship more personal, more meaningful.

Here is the poem.  Sally liked it.

What's after life?  Native Americans call it "the great mystery".

What’s after life? Native Americans call it “the great mystery”.

LIFE – AND MORE LIFE
(Majo, 11/19/05)

We have been wandering around, you and I
By ourselves, with each other, never knowing
We bump against our different selves
We hold foreign who is our home
We see the dark because we know the light

What is this fog that holds us?
What in us would let be held?
Where are we going?  Where have we been?
What is “us”?  “You”?  “I”?  “Her”?  And “him”?

Life – what is that?
This mystery in which we are lost
The light that leads us
And where does it end?
Where is there that life is not?

Our minds want to separate
Thrive on boundaries
Do not see how dark connects the light
Make you and I imagine
A gulf between the isness that we are

Each moment arises from nowhere
Then slips silent from our grasp
Our grasping punctuates the moments
Makes them seem separate, which they never are

Letting go is our nature, who we’ve always been
And how we got here
Our parents surrendered to the moment
Life has been conceiving us anew ever since

Every birth requires a death
Call it what we will, life changes
Stays not one moment the same
We are not who we were, who we will be

Where we think we see a wall, a cliff, an end
Life continues, in forms we never imagined
We emerge, again and again
New beings of light we never knew

Light is held and framed by dark
As dark is surrounded by light
Our minds see difference
Life does its dance of many forms

Where will we go?  Where have they gone?
Our human eyes, limited as they are
See a river where there is a sea
This connection in which we swim
Has no beginning and no end

If we but shift our gaze
Oh so gently, no effort, no looking for
See the light under the dark and light
The We that always holds you and me
We will not go, they have not gone
We are all right here, one unending now

Drop into this breath of life
Do not try to make this or that
Nothing goes away, while all must die
Life is us, we are Life
We feel the good under “Goodbye”.